Agency-side account lead. Brand-side client. I've been both, which means I know exactly what's keeping the person across the table up at night, and how to turn that into a brief the creative team can actually run with. 8+ years of keeping mandates, stakeholders, and deadlines in one piece.
"Somewhere between the client's spreadsheet and the designer's mood board, that's where I live."
· The short version8+ years managing brand mandates and client relationships, on both sides of the table: as agency-side account lead, and as the client. I've run integrated mandates end-to-end across mainline, digital, social, and film for 40+ brands, building the content systems and creative frameworks that hold up long after the kickoff meeting.
From shaping boAt's socials back when it was just getting started, to being the sole point of contact on Jaquar Group's luxury sanitaryware mandate, the job has always been the same: translate what the client actually needs into a brief the creative team can run with, then make sure what comes back is something everyone's proud to put their name on.
I've also sold into rooms that don't care how good the idea is until you show them the numbers: closing and growing enterprise-level relationships with legacy brands across categories. And when the system I needed didn't exist yet, I built it: hired the team, wrote the SOPs, and turned a studio that lived in my head into one that ran without me hovering over it.
I bring structure to creative chaos, keep every stakeholder moving in the same direction, and I will still absolutely make a Gilmore Girls reference in a client deck if it fits. The brief. The mess in the middle. The moment it all ships on time. I genuinely love all of it.
Sole point of contact across accounts, owning strategy, execution, and delivery within agreed timelines. I've sat on both sides of the table, so nothing about a client's concerns catches me off guard.
End-to-end across mainline, digital, social, and film, with a single coherent brand voice that doesn't fall apart when it moves from a TVC to a tweet.
Steering agencies, production houses, and PR partners from kickoff to final delivery, keeping every thread connected, not just the ones that shout the loudest.
Frameworks, playbooks, and editorial direction that scale without losing sharpness. Not a blindly pre-planned calendar. A living system.
Sold and grew relationships with legacy enterprise brands across categories, and led 3 international market launches in under a year.
Clarifying how a brand sounds, feels, and shows up, across every touchpoint. Because people can always tell when it's hollow.
A decade-ish of owning mandates, managing rooms full of stakeholders, and figuring out what actually keeps a client happy. Here's the timeline.
Alongside full-time roles, I take on freelance brand and account consulting for SME and D2C clients across personal tech, beauty, and fashion, sole point of contact for strategy, execution, and delivery within agreed timelines and brand guidelines.
The stuff I've actually used in the wild, not just listed to make an ATS happy.
Some accounts get you a bullet point on a resume. These ones got me out of bed excited, because the client trusted me to hold the whole thing together. Here's a few of them.
Artize is Jaquar Group's luxury sanitaryware brand, a category where the product is beautiful, the audience is discerning, and the brief basically reads: "don't get this wrong." I came in as the sole point of contact, which meant I was the single thread connecting client, agency, production, and PR.
The challenge: Maintain a premium, consistent brand voice across every touchpoint (mainline TVCs, digital, OOH, social) while keeping every stakeholder aligned in a fiercely competitive luxury space where every brand is trying to look high-end and most of them just look expensive.
What I did: Owned the relationship end to end: translated client vision into creative briefs, steered agencies and production houses to deadline, and kept internal stakeholders and PR partners on the same page from kick-off to final delivery. Kept the brand feeling like it had a point of view, not just a price point.
This one is probably the project I'm most proud of, because it didn't exist before I thought of it. WeCreate was Marico's in-house creative studio, and I conceived it, pitched it into the room, and then ran it.
The studio managed content production for 35+ internal brand stakeholders including Parachute, Nihar, Coco Soul, and Saffola, everything from social content to campaign assets. We also executed work for boAt, Mi, MamaEarth, Hummel India, and Lakmé.
What made it work: hiring the right team, writing the SOPs that let it scale, and keeping a creative culture alive in what could very easily have turned into a content factory. It didn't. We were too careful for that.
boAt was early in its cultural moment when I worked on this. The brief was essentially: make people feel something. Curated the visual identity to an attention-grabbing look and feel: bold, high-energy, unignorable.
Built community through micro and macro influencer engagement and brand ambassador content featuring KL Rahul. Covered boAt's brand endorsements across Lakme Fashion Week, Sunburn Festival, and IPL, keeping the content native to each platform while the brand voice stayed consistent underneath.
The #IAmABoathead community platform became a real thing, not just a hashtag. That's the goal, every time.
The Stanza brief was a good one: speak to students and young professionals who have seen every brand try too hard to be relatable. The challenge was to land inside an already established brand voice and make it feel alive, not managed.
I leaned into moment marketing, Bollywood pop culture references, and platform-native formats (this was pre-Reels India, for context). Created the national "Home is Where the Heart is" macro influencer campaign on Instagram while simultaneously managing 100+ micro influencers across regions for localised amplification.
Result: 30% follower growth, a brand that people actually tagged their friends in, and a collaboration with FilterCopy that felt genuinely native, not sponsored-content awkward.
A straightening brush was a genuinely new concept in India at the time. The DAFNI challenge wasn't just brand awareness, it was category education. People didn't know they wanted this yet. My job was to show them why.
I suggested we lead with real people instead of polished campaign imagery, including myself, across social content before Reels existed. Think: raw, authentic, product-in-use content that showed the convenience without overselling the premium price point.
Curated a relatable yet cost-justified brand tonality that bridged the gap between "I can't afford this" and "I need this in my life." The #HairstylesWithDAFNI content series helped land that message.
Honey & Dough needed to feel like a lifestyle brand, not just a bakery. The brief had room to be creative and I took it seriously. This was one of those projects where I did a bit of everything, and I mean that in the best way.
Self-set-up photoshoots at their venues, working alongside production teams and designers to create a visual world that felt warm, premium, and a little bit aspirational without losing the "come in and have a brownie" energy.
Right from product photography to social content strategy, I shaped a new brand tonality that gave Honey & Dough a consistent, craveable visual identity across every touchpoint. The kind of feed that makes you hungry by slide two.
Alongside full-time roles, I take on select freelance and consulting work, strategy, writing, and light design for founders and small teams who need someone who can own the whole thread, not just one piece of it. Starting rates below, final scope always confirmed on a quick call first.
Rates are starting points and flex with scope, timelines, and volume. Retainers get preferential pricing over one-offs.
I talk fast, I have a lot of feelings about pop culture, and I will absolutely make a Gilmore Girls reference in a client deck if it fits. Looking for someone to own the account and keep everyone on the same page? You know where to find me.